BARRONVISUAL
Blog·Visual Merchandising

Printemps, Visually Perfect

Juan Carlos Barrón·September 2026·Visual Merchandising
Escaparate de Printemps en París

One illustrated jungle, spread across eight window displays

In spring 2013, the Printemps department store in Paris built its seasonal window campaign around a single visual thread: a jungle hand-illustrated by Frédérique Vernillet, repeated and adapted across at least eight different windows, spread between the fashion floor and the beauty and homeware floor. Each window changed color, lead animal and sculpture, signed by Little K, The Makerie Studio or Marianne Guély, but all shared the same painted backdrop and the same wide, low panoramic format.

It’s the most effective way to give coherence to a long department-store facade without literally repeating the same window eight times: a system, not a single template.

Fashion floor: each brand, its own animal and color

On the fashion floor, Roberto Cavalli claimed the tiger and the color purple, with a sculptural snake in the foreground. Emilio Pucci turned the same jungle jade green, with a life-size iguana as the centerpiece. Dolce & Gabbana closed the series in gold, with two mannequins dressed in floral print next to a giant paper peony.

Roberto Cavalli window for Printemps: tigers and a snake on a purple background
Emilio Pucci window for Printemps: sculptural iguana on a jade green background
Dolce & Gabbana window for Printemps: mannequins in floral print with a giant golden peony

On the ground floor, dedicated to accessories, Salvatore Ferragamo played with a gazelle among ferns in fire tones, and Mulberry placed two large-scale red macaws holding its bags in their beaks.

Salvatore Ferragamo window for Printemps: a gazelle among ferns in fire tones
Mulberry window for Printemps: red macaws holding bags
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Beauty and home: the same idea, perfumery scale

The beauty and homeware floor applied the same language on a more intimate scale. Acqua di Parma lit up a tree in yellow with lemurs and a golden bird flying over the cologne bottles. Christofle placed a life-size paper elephant head in turquoise blue, next to a piece from its silver flatware collection. Baccarat closed the series with illustrated flamingos and a crystal flower in seafoam green.

Acqua di Parma window for Printemps: lemurs and a golden bird on a yellow background
Christofle window for Printemps: a paper elephant head in turquoise blue
Baccarat window for Printemps: flamingos and a crystal flower in seafoam green

What still applies today

More than a decade later, the Printemps lesson still holds for any chain with several windows on the same facade, or several stores on the same street: a shared visual system (same illustrator, same format, same family of backdrops) lets each point of sale tell its own story without the whole losing coherence. This is window display designed at chain scale, not single-store scale.

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Printemps: One Illustrated Jungle, Eight Windows | BARRONVISUAL